SFA Wind Ensemble offers ‘surround sound’ with ‘Circus Maximus’

    Fred J. Allen, director of bands at Stephen F. Austin State University, describes the upcoming Wind Ensemble concert at 7:30 p.m. Tuesday, April 24, as “the largest thing we have ever put together.” The highlight of the program will be John Corigliano’s “Circus Maximus,” during which audience members literally will be surrounded by musicians.

     Within the W.M. Turner Auditorium, the majority of the Wind Ensemble will be on stage, conducted by Allen, but a group of saxophone players and other instrumentalists will be in the balcony, conducted by SFA Assistant Director of Bands Tamey Anglley.

     A group of 11 trumpeters will encircle the audience, a trio of percussionists will be at the back of the hall, a small group of players will actually march down the aisle, and Allen promised a “special surprise” with the marching band.

     Named for the ancient arena where Roman citizens watched chariot races and other forms of amusement, the symphony depicts the “modern” Circus Maximus, which Corigliano believes to be television, with its steady offering of reality shows and manufactured stars, Allen explained.

     “This is a wild piece! It is really going to knock people over!” Allen exclaimed.

     The Wind Ensemble will also perform “Colors and Contours” by Leslie Bassett, which will be conducted by David W. Campo, SFA associate director of bands. Graduate conducting student Jay Weems of Stephenville will conduct Felix Mendelssohn’s “Notturno.”

     The concert is a joint presentation of the SFA College of Fine Arts and School of Music. W.M. Turner Auditorium is located in the Griffith Fine Arts Building, 2222 Alumni Drive.

     Tickets are $5 for adults, $4 for seniors and $2 for students. For tickets or more information, please go to www.finearts.sfasu.edu or call (936) 468-6407 or (888) 240-ARTS.

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SFA ‘Spanish Nights’ concert features guest violinist and alumna vocalist

    The inspiration for the Orchestra of the Pines’ season-closing concert, “Spanish Nights,” occurred many years ago when music director Gene H. Moon watched a video of the Vienna Philharmonic’s New Year’s concert of the same title.

    “The orchestral repertoire of Spanish music is so invigorating, vibrant and exciting that I knew I wanted to put on a similar concert,” said Moon, who serves as the music director of the flagship orchestra at Stephen F. Austin State University.

    “Spanish Nights” is scheduled for 7:30 p.m. Saturday, April 28, in W.M. Turner Auditorium, as part of the SFA College of Fine Arts’ University Series.

    Adding to the excitement of the music will be two guest artists: violinist Cristian Fatu, who was a semi-finalist in the 2011 Schmidbauer International Competition, and mezzo-soprano Erin Roth, a Lufkin native who earned her bachelor’s and master’s degrees at SFA and now sings professionally.

    Fatu will join the orchestra in performing Vittorio Monti’s “Czárdás for violin and orchestra” and Pablo de Sarasate’s “Carmen Fantasy for violin and orchestra.”

    “Cristian’s playing style is very romantic and provocative, which is brought out even further by his Romanian heritage,” Moon said. “Works like the Czárdás and the Carmen Fantasy are styles that are second-nature to him; he plays them with grace, panache and beauty.”

    Roth will sing three arias with the orchestra: “Stride La Vampa” from Giuseppe Verdi’s “Il Travotore,” “Habanera” from Georges Bizet’s “Carmen” and “Non su piu cosa son” from W.A. Mozart’s “Le Nozza di Figaro.”

    “East Texans will remember that each time Roth graces the stage, her voice carries a personality that is easily remembered for its projection, direction and focus,” Moon said. “The arias she will sing with us will be indicative of these characteristics.”

    The orchestra will open the concert with Maurice Ravel’s “Bolero” and also perform “Jota” from Manuel De Falla’s “Three Cornered Hat” and Arturo Marquez’ “Danzon No. 2.”

    Prior to the concert, Moon will give an informative talk at 7 p.m. in Griffith Gallery, directly across the hall from Turner Auditorium. The audience is invited back to the gallery after the performance for a reception honoring the event’s corporate sponsor, Memorial Hospital, and to meet the musicians.

    Griffith Gallery and Turner Auditorium are located in the Griffith Fine Arts Building, 2222 Alumni Drive on the SFA campus.

    Tickets are $18 for adults, $12 for seniors and $6 for students. For tickets or more information, please go to www.finearts.sfasu.edu or call (936) 468-6407 or (888) 240-ARTS.

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SFA festival of plays opens Tuesday

    Three nationally-acclaimed playwrights will be listening and watching intently as Stephen F. Austin State University theatre students present staged readings of the playwrights’ newest works during SFA’s Festival of New American Plays Tuesday, April 24, through Saturday, April 28.

Mission junior Crystal Villarreal and Brad Maule, SFA theatre lecturer and former television star, rehearse a scene from Constance Congdon’s “Take Me to the River,” which will be presented at 7:30 p.m. Thursday, April 26, and at 5 p.m. Saturday, April 28, in the Downstage Theatre as part of the Stephen F. Austin State University School of Theatre’s Festival of New American Plays.

    During the five-day festival, each of the plays will be presented two different times for an audience and its playwright in the Downstage Theatre of the Griffith Fine Arts Building. The emphasis is on the author’s words, so students will still be using scripts, and there will be minimal scenery, props and costumes, explained Jack Heifner, SFA playwright-in-residence and coordinator of the festival.

    “These types of readings are used by professional theatres and producers to involve audiences and actors directly in the process of new play development. Plays are meant to be performed, and the best way to see whether a play works or not is to present it in front of a live audience,” said Heifner, whose two one-act plays, “Brilliants” and “Hate Mail,” will be presented at 7:30 p.m. Tuesday, April 24, and Friday, April 27.

    Heifner is best known for his play “Vanities,” which ran for five years in New York and became one of the longest running plays in off-Broadway history. His plays, which number over 30, have been produced in New York and Los Angeles and in theatres around the world. Heifner has written the book to six musicals, including “Leader of the Pack” and “Vanities—a New Musical,” which opened in New York in 2009.

    John Cariani, whose “Love/Sick” will be presented at 7:30 p.m. Wednesday, April 25, and at 2 p.m. Saturday, April 28, is a successful playwright and actor. His “Almost, Maine” opened off-Broadway in 2006 and has since become one of the most frequently produced plays in the United States and has been translated into six other languages to date.

    As an actor, Cariani is best known as Julian Beck on television’s “Law and Order.” His role as Motel the tailor in the 2004 Broadway revival of “Fiddler on the Roof” won him an Outer Critics Circle Award and a Tony nomination.

    Constance Congdon’s “Take Me to the River” will be presented at 7:30 p.m. Thursday, April 26, and at 5 p.m. Saturday, April 28, and former television star Brad Maule, SFA lecturer for the School of Theatre, will read the lead role.

    Pulitzer Prize winner Tony Kushner has called Congdon “one of the best playwrights our country and our language has ever produced.” Her plays are produced around the world, and she has been teaching playwriting at Amherst College for 16 years.

    Following the 5 p.m. Saturday performance, all three playwrights will participate in a talk-back session. Due to adult themes and language, all plays are recommended for mature audiences.

    The Griffith Fine Arts Building is located at 2222 Alumni Drive on the SFA campus.

    The festival is sponsored in part by Tipton Ford-Lincoln of Nacogdoches.

    Tickets for each performance are $12 for adults, and $6 for seniors and students. For tickets or more information, please go to www.finearts.sfasu.edu or call (936) 468-6407 or (888) 240-ARTS.

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Local Nacogdoches Resident, Archives Compete in National Contest to Promote Archives Awareness

     CHICAGO— Nacogdoches teacher Jacy King is one of eight finalists in the I Found It In The Archives! contest, which is part of a national campaign sponsored by the Society of American Archivists (SAA). SAA asked archives users to submit essays or videos detailing their “discoveries” in the archives. In King’s video, which was submitted to the contest by the East Texas Research Center, she reveals how a trip to the archives helped her uncover the truth behind a decades-old family mystery.

     King’s entry, along with those of the seven other finalists in the contest, has been posted on SAA’s website at http://www2.archivists.org/initiatives/i-found-it-in-the-archives/i-found-it-in-the-archives-2012-national-competition. Voting is open to the public. Help spread the word about the contest—and King’s involvement—through social media outlets such as Facebook and Twitter (Twitter users should use the hashtag #FoundArch). Voting is open through May 15.

     The winner of the national contest will be announced in June and will receive complimentary airfare to SAA’s Annual Meeting in San Diego this August and two nights stay at the San Diego Hilton Bayfront.

     The I Found It In The Archives! campaign is part of SAA’s efforts to raise awareness about the importance of archives. Members of SAA held local contests in the fall and winter to kick off the campaign, reaching out to individuals who have found their records, families, heritage, and treasures through their collections. Contestants shared their stories of discovery, and the winning essays and videos in the local competitions then moved on to the national competition.

     For more details about SAA or to vote in the contest, visit www.archivists.org.

     The Society of American Archivists is a Chicago-based national professional organization representing 6,000 individual and institutional members. Founded in 1936, its mission is to serve the education and information needs of its members and to provide leadership to ensure the identification, preservation, and use of the nation’s historical record.

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Herrington: A Message to Aspiring Entrepreneurs

Chris Herrington, Contributing Writer

     Something I have personally struggled with all my life is the concept of being paid for working. I know, this sounds like a very strange affliction. At first. Let me give you some back ground and maybe, just maybe, I can shed a little light on why this has been such a haunting anomaly in my life.

     I’ve talked about this before, so I am treading on old ground, but we did not find out that my dad was bi-polar until I was in my 30’s. The diagnosis was not even available until then since it was not totally on the radar of the medical profession. Despite his illness, my father was a brilliant doctor and was a savant when it came to networking people; if only he had had a conscience.

     He was also good at making money. The boy could hunt some bucks. In the 1970’s he made in excess of $1000 a day, which I still consider good money, even 45 years later. That’s nearly half a century, and the man was capable to doing incredible things. Yes, my mother was very organizing and could assist him with his presentations, but my dad was a piece of work as well as a real showman.

     The issue was that he would blow through it as fast as he made it. I always kidded that if he had stayed anywhere long enough to learn his lessons he would have gotten where he was going by not going anywhere. The trouble was, as soon as he had the seed money to do something incredibly stupid and far out, he took a rocket ship to total destruction, and so I came to see money as not a good thing because money will mess you up. I knew all too well, because it had happened to my family over and over and again and again.

     What happens in Vegas really does not stay in Vegas; it follows you home like a dog you feed. The emotions you hide, the tolerance you created for aberration, the need you created for added stimulation. The list goes on and on. And the memory is like the last scene from “Damn Yankees.” And money would mess Dad up like a bag of heroine.

     Mom and Dad never got their relationship back on track. And the beginning of the end was always money. So, when I got a job and the check came in, I looked at it and I knew my life would soon be over. I have always worked very hard at my jobs, and part of it was the guilt I carried because of the worry I had over being paid. I worked extra hours, and I studied way too hard. For any class I taught, I tried to have 3 times the amount of material I would need, and eventually I put it all on a thumb drive and I was able to teach 7 whole courses in their entirety from my key chain, and I still carry that with me, even though I have been retired for a year.

      I did grow to feel less guilty over taking the money, but I have always been big on volunteering. And the things I signed up for we some pretty difficult tasks. I wanted to please and I wanted to be needed, and I wanted to help, and, no, you don’t owe me a dime. That can make a fellow pretty popular, and wise to how much people need you versus needing your abilities and services. Over the years I pretty much just plain gave it away. I have had some pretty catastrophic failures. I have helped many other people get up, stand up, and walk proud, but the cost to me personally was sometimes pretty high, although there is the satisfaction of a job well done and being able to see people get turned around and head on down the road of life. Don’t get me wrong; I have enjoyed that part of my life and do not regret it. But, as in chess, the end game is everything.

     I have had to obtain my own mentors. I’ve entrusted some very savvy people over the years and tried to ask these sorts of questions all along, but this particular one seems to have come to the foreground as I have to begin making more choices about where to spend those remaining hours of quality work time. People who survive to a certain level in life are often lucky to have done so. I don’t believe in luck. But I also can’t say that I did it all by myself. What I will say is that I was at least smart enough to ask a lot of good questions of a lot of pretty smart folks, and that has made some difference in my life.

     I have a friend who is the president of a company, a smart guy with a tremendous insight into the workings of work related things and how to charge for services and products. He asked me a very simple lead in thing when I bought all this up: “Why are you having a problem charging people for what you do?” I told him my story and then I was faced with this simple question: “You love what you are doing, so what is holding you back from doing more of it and doing it better?”

     I told him flat out, “I’m providing the best service I can afford.” Huh.

     If I charged people, I could use their money to help provide even better service, and they would actually be buying into their own recovery. I had to really think about that. I had been throwing the door open and trying to air condition the entire planet. Providing service and being paid and using the money to provide better service and pay for my education for needed updates in my own education to provide even better service? What a concept.

     Okay, I’m not a lawyer, or a doctor, or a scientist, but I do have a $100,000 education. If that was an investment, then it has to make a return; otherwise it was a bad investment, right? I can still volunteer, but I need to work on the clock. If anything this last 10 months has proven, I can stay busy. I just think it’s about time that my intervention/mediation hobby pays for itself. Tools cost money, and I can’t afford to just rent them out for free. At this point, if I could just break even on the investment, I would be pleased as punch. And I don’t want my effectiveness as a life coach to be limited by the amount of my own money I can afford to use serving others; they deserve better than that.

runningturtle87

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(Democratic): Nacogdoches County Democrats county convention

    The Nacogdoches county democrats will hold their county convention on April 21st, 2012 at 10:00am in the NISD admin. building located on Shawnee street. All registered democrats are invited to attend, delegates to the democratic state convention will be selected at this time, the state convention will be held in Houston on June 8th and 9th.

Roy Boldon
Chair of Nacogdoches county democrats

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Obituary: Rosa Doris Horton

     Services are pending for Rosa Doris Horton, 79 of Nacogdoches. Rosa passed away Tuesday, April 17, 2012 in Nacogdoches, Texas. Arrangements are under the care and direction of Cason Monk-Metcalf Funeral Directors. Condolences may be offered at www.casonmonk-metcalf.

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Obituary: Stephen Gilpatrick

     A Funeral Service for Stephen Gilpatrick, 63, of Nacogdoches will be Thursday, April 19, 2012, at 11:00 am at Our Lady of Lourdes Catholic Church in Chireno, Texas. Interment will follow at Our Lady of Lourdes Cemetery in Chireno.

     Stephen died on Monday, April 16, 2012, in Nacogdoches. He was born October 28, 1948.

     Visitation will be from 5:00 pm until 7:00 pm, Wednesday, April 18, 2012, at Cason Monk-Metcalf Funeral Directors with Rosary following at 7:00 pm.
Condolences may be offered at www.casonmonk-metcalf.com.

     Arrangements are under the care and direction of Cason Monk-Metcalf Funeral Directors.

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April 17: NPD Crime Report

This is a complete list of reports responded to by the Nacogdoches Police Department

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April 17: Sheriff Office Daily Activity Log

This is the report from the Nacogdoches County Sheriff’s Office that list the reports from 6 a.m. of the previous day to 6 a.m. of the listed day.

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