Everything Nac

Performer and educator Dr. Diana Allan, who earned a Master of Arts in vocal performance from Stephen F. Austin State University in 1989, will be installed as the president of the National Association of Teachers of Singing during the organization’s biennial business meeting on July 6 at the 57th National Conference in Chicago.

“NATS is fortunate to have so many talented professionals in our organization,” Executive Director Allen Henderson said in a press release from NATS. “I have full confidence that these elected officers will lead this organization forward with great conviction, talent and dedication to serving the NATS membership. The NATS staff and I are thrilled to work with these individuals for the next two years as we set forth on our continued path of success.”

Allan, a soprano, has appeared in operatic and concert performances throughout the Mid- and Southwest as well as Germany, the Czech Republic, Italy and Brazil. In addition to her public performing, she has more than 30 years university-level teaching experience, including 26 years teaching at The University of Texas at San Antonio as well as a recent teaching assignment at Missouri Southern State University in her hometown of Joplin, Missouri.

Allan has students singing, teaching and working in the arts all over the country. Her students have been national finalists in the National Opera Association Competition, as regional Metropolitan Opera National Council Auditions winners, and as a Presidential Scholar of the Arts and a National Federation of Music Club regional award winner.

Allan has been a NATS member for more than 40 years.

The Percussion Ensemble at Stephen F. Austin State University has been invited to perform at this year’s Texas Music Educators Association convention slated for Feb. 9 through 12 in San Antonio. Representing more than 17,000 current and future music educator members, TMEA works to support the future of music education in Texas.

The ensemble’s TMEA program will be presented in a preview concert at 7:30 p.m. Friday, Feb. 4, in Cole Concert Hall on the SFA campus. The recital features works by Joe W. Moore, Francisco Perez, Andrea Venet and Andy Akiho. The Percussion Ensemble is directed by Dr. Brad Meyer, director of percussion studies at SFA, with Dr. Jamie Vilseck, the ensemble’s coach.

Written in 2018, Moore’s “Ojo” was inspired by Latin folklore with a goal of keeping the audience engaged with quick passages, rhythmic variety, timbre changes, and movements transitioning between instruments, giving the performers “ojo” (meaning “evil eye”) because “there is no other option but to watch and listen intently,” according to Moore.

“Ephemera” was inspired by the Lamar University students of Perez during the past two years of the pandemic. “After almost two years without composing any original music for percussion, witnessing the grit and hard work from my students at Lamar University over the course of the eventful 2020-2021 year inspired me to write this short but deeply meaningful piece for mallet sextet,” he wrote.

Venet’s “Omnes Trio,” Latin for “Trio for All,” was written as an expression to promote equality within the percussion field, according to the composer. “With homogeneous instrumentation and a shared set-up, the piece is characterized by hocketed rhythmic lines, trading grooves between players, and soloistic passages that create rapidly flowing textures and quasi-melodic lines,” Venet wrote.

Akiho’s “to wALk Or ruN in wEst harlem” was originally written for chamber ensemble (flute, clarinet, violin, cello, piano, vibes and drums) and premiered at the 2008 Bang on a Can Summer Music Festival. Akiho said 2008 was one of the most influential and fortunate years of his life, but it began “hilariously tumultuous.”

“Within the span of 48 hours, I carelessly threw myself into multiple ridiculously unfortunate New York City situations – illegally parking my car under a suspicious overpass only to find it completely trashed and inoperable after being broken into; nearly slicing my thumb off cutting carrots with an ironically dull knife; and being attacked and stabbed by a gang while cluelessly walking home from the Manhattan School of Music after a late-night practice session,” he wrote. “This seven-minute composition depicts that particular evening expressed as a nonlinear soundtrack: escaping the attack, following the perpetrators in a taxi, trying to convince the apathetic cops to help me find the suspects, and the hospital monitor beeps of the emergency room are some of the themes in the music narration. Balancing out the NYC karma later that year, I found an old upright piano on the same corner where I was attacked. With the help of a friendly bystander, I pushed the piano up the hill to my apartment and composed this piece on it.”

Tickets are $8 for adults, $6 for seniors and $3 for students and youth. To purchase tickets, call the SFA Fine Arts Box Office at (936) 468-6407 or visit finearts.sfasu.edu. For additional information, contact the SFA School of Music at (936) 468-4602.