Everything Nac

The Stephen F. Austin State University College of Fine Arts and School of Art will present the exhibition “Beyond the Academy: Contemporary Outsider and Expressionist Art” showing Jan. 22 through March 28 in Ledbetter Gallery in The Cole Art Center @ The Old Opera House in downtown Nacogdoches.

“Beyond the Academy: Contemporary Outsider and Expressionist Art” presents the works of several contemporary Texan artists whose art can be loosely defined as outsider or naïve in style, according to John Handley, director of galleries at SFA.

“Artwork of this genre is not new, having roots in late 19th and 20th century European and American art,” he said.

The exhibition will open with a reception with the artists at 6 p.m. Thursday, Jan. 22, in Cole Art Center. Local artist Wally Knight, who is co-curating the exhibition with Handley, will also have pieces in the exhibition.

According to Handley, the art critic Roger Cardinal first used the label outsider art in 1972, picking up on the term by the French artist Jean Dubuffet (1901 – 1985), who described artwork outside the establishment, including that of psychiatric patients, as art brut, or literally, raw art. This work greatly influenced Dubuffet’s later work.

“Dubuffet’s term art brut was rather specific,” Handley said. “But today, the term outsider art is used in a variety of ways – to describe self-taught artists, as well as those working outside the accepted norms of realism, whether trained or not. In this way, outsider art’s close relative is folk art – an equally difficult term to clearly define.”

Among the artists represented in the exhibition are Haydée Victoria Suescum, whose style of painting is “characterized by anti-classical themes, intentionally discordant colors, impossible scales, rough brushstrokes, and a consistent sense of humor,” said Mónica E. Kupfer, director of Fundacion Arte y Cultura and contributing writer to Art Nexus Magazine.

Outsider artist Lee Michael Peterson said of his work, “I want purpose. I, above all else, want to matter. My work is concerned with the pathetic state, but simultaneously a humorous one – completely hopeless, yet still hanging for dear life onto a sliver of fantasy.”

“Outsider art continues to draw attention through scholarly articles and exhibitions,” Handley said.

The American Folk Art Museum in New York is currently traveling a large exhibition of outsider art, which will come to the Amon Carter Museum in Fort Worth Oct. 10.

“Beyond the Academy: Contemporary Outsider and Expressionist Art” is sponsored in part by the Nacogdoches Junior Forum and the Friends of the Visual Arts. The exhibition is a feature of the SFA College of Fine Arts’ University Series. Admission is free.

The Cole Art Center is located at 329 E. Main St. For more information, call (936) 468-1131.

Cutline: “Cat” by Moses Foster is among the artwork to be featured in the exhibition “Beyond the Academy: Contemporary Outsider and Expressionist Art” showing Jan. 22 through March 28 at The Cole Art Center.

The Stephen F. Austin State University College of Fine Arts and School of Art will celebrate the exhibition “Stuart Riordan: Sardines & Oranges” with a reception at 6 p.m. Thursday, Jan. 22, in The Cole Art Center @ The Old Opera House in downtown Nacogdoches.

The exhibition, which runs through March 28, features Riordan’s renowned paintings of the human form, and the artist will be in attendance at the reception, according to John Handley, director of galleries at SFA.

“Riordan’s work has been described as political, erotic, Goya-esque, mysterious and darkly funny,” Handley said. “Her work has touched upon themes of history, politics, science, music and the loss of innocence. She has been compared to masters such as Renoir and Jim Dine, maintaining a modern taste with classical foundations.”

Riordan has said of her work, “The human body has more gestures, mystery and intrigue, and everybody can relate to it. I think Socrates said an artist does his stuff but is not ‘there’ when doing it, and only after it is done can the artist formulate ideas of the work and viewers formulate their ideas.” Quoting abstract expressionist artist Willem de Kooning, she said, “‘It’s all in the flesh’ is what de Kooning said, and he was right.”

Tallahassee Democrat writer and columnist Mark Hinson wrote: “At first glance, Riordan’s accomplished human figure paintings seem formal and even neo-traditional – far away from, for example, de Kooning’s ‘Women’ series. But on closer inspection the viewer notices her attention to the gestural aspects of the painting – the swirls of color, the layering of paint, the strokes that have been created by using the other end of the brush, of the fractured sentences and phrases that run across the work as if yanked out of some larger sequence.”

Riordan mixes her own paints, which are made from dirt, clay, pumice and dry pigments imported from distant locations such as Tasmania and Australia.

The exhibition, sponsored in part by the SFA Friends of the Visual Arts and Nacogdoches Junior Forum, is a feature of the SFA College of Fine Arts’ University Series. Admission is free.

The Cole Art Center is located at 329 E. Main St. For more information, call (936) 468-1131.

Cutline: “When the Woods Got Heavy” by American painter and designer Stuart Riordan will be among the pieces featured in the exhibition “Stuart Riordan: Sardines & Oranges,” which is showing at The Cole Art Center @ The Old Opera House through March 28.