Everything Nac

Members of Stephen F. Austin State University’s Student Government Association visited with Rep. Jason Isaac of Dripping Springs at the Texas Capitol Wednesday. Isaac is a 1996 graduate of SFA and the only Lumberjack currently serving in the Texas House of Representatives. Pictured, from left, back row, are Martin Diaz-Margoliner, Jordan Young, Jeffery Agouna, SFA Dean of Student Affairs Dr. Adam Peck, and 2016-17 SFA student regent Chad Huckaby; middle row, are Jayla Harris, Alexia Garcia and Candra Huckaby; and front row, are Marcella Cook, SGA President Jessica Taylor and Isaac.

Stephen F. Austin State University administrators, Nacogdoches city and county government leaders, and members of the 2016-17 Leadership Nacogdoches class give a Lumberjack salute on the steps of the Texas Capitol Thursday morning. The group traveled from East Texas to join Rep. Travis Clardy of Nacogdoches and Sen. Robert Nichols of Jacksonville for Nacogdoches – SFA Days, held Wednesday and Thursday, Feb. 15-16, during the 85th Texas Legislative Session.

East Texas lawmakers presented a resolution in the Texas House of Representatives Thursday recognizing Feb. 16, 2017, as Nacogdoches – SFA Day at the Capitol. Standing on the house speaker’s platform, from left, Dr. Steve Westbrook, SFA vice president for university affairs; David Alders, SFA Board of Regents member; Chad Huckaby, SFA student regent; Roger Van Horn, Nacogdoches city mayor; and Mike Perry, Nacogdoches County judge; listen as Rep. Travis Clardy discusses HR 290 and the positive impact of Nacogdoches and the university. Pictured, bottom row, from left, are Rep. Trent Ashby of Lufkin, Clardy, and 1996 SFA graduate Rep. Jason Isaac of Dripping Springs.

Point by point, the image of a cannon slowly materializes on the computer screen. Fine grooves in the handcrafted bronze handles shaped like dolphins prove difficult for the scanner to visualize, but eventually, with enough manipulation, a 3-D rendering of a long-submerged French cannon comes into focus.

“The idea of reverse-engineering the cannon so that the French can cast a duplicate has been floating around for a while,” said Dr. Robert Z. Selden Jr., research associate at Stephen F. Austin State University’s Center for Regional Heritage Research. “We always enjoy working with the Texas Historical Commission and have really been looking forward to beginning work on this project.”

A storied past

The cannon in question isn’t just any cannon. Its story began centuries ago in 1684 when the weapon was first loaded onto La Belle, the ship of legendary French explorer René-Robert Cavelier, the Sieur de La Salle.

La Salle planned to cross the ocean with four ships and 400 people and land at the mouth of the Mississippi River. There, he was to establish a colony and forge trade routes in the name of French King Louis XIV, according to the Bullock Texas State History Museum in Austin where the cannon from La Belle is currently housed. The plan was never realized after La Salle lost ships to pirates and disaster, sailed past his destination and was killed by his own men.

In 1686, La Belle wrecked in a storm and sank to the bottom of Matagorda Bay. It remained there undisturbed for 300 years. In 1995, it was discovered by Texas Historical Commission archaeologists, who then fully excavated the wreck in 1996-97. The bronze cannon was one of three found among the ship’s cargo.

“The photos of the excavation and preservation efforts are incredible,” Selden said. “The scale of that excavation, which was surrounded by a coffer dam in the middle of Matagorda Bay, was remarkable. However, it is important to remember that the cannon is only one component of a much larger story; you really have to see the exhibit that the staff at the THC and the Bullock have put together to appreciate the magnitude of that undertaking.”

The cannon is on display on the ground floor of the Bullock Texas State History Museum in the current La Belle exhibit. It has been a central feature of the exhibit since the museum opened in 2001.

Scanning history

The idea of scanning the cannon arose during discussions held by staffers at the THC, the Musée national de la Marine in Paris and the Bullock Museum for a La Belle exhibit in France.

“Because the recovery of one of the three bronze cannons aboard the ship was key in identifying the wreck in 1995 as La Salle’s lost ship, the cannons are iconic and significant artifacts,” said Bradford M. Jones, collections manager of the THC’s archaeology division. “At the time, however, the cost and complexity of shipping an 800-pound bronze cannon back and forth across the Atlantic was recognized as a potential limiting factor on the exhibit, and the decision was made to explore having it reproduced in either the United States or France.

“Because high-resolution, 3-D scanning had the potential to relatively quickly and efficiently produce a (computer-aided design) model that could be shared and reproduced in a number of media, we contacted Dr. Selden,” Jones said. “Selden had previously scanned artifacts for the THC’s historic sites division and participated in 3-D technology training sessions with our archaeology division’s Texas Archeological Stewardship Network.”

Selden traveled to Austin in November to generate the 3-D surface scan of the cannon using a handheld scanner. Once scanned, the digital image can be resized for reproduction and a number of other purposes.

“The CRHR has a reputation for accuracy, and for producing open-access 3-D meshes and solid models that can be used for additional analyses, reproductions and 3-D puzzles,” Selden said. “This also is a great opportunity for SFA to solidify its leadership role in digitizing and reverse-engineering the material culture associated with Texas archaeology and history.

“We have the tools. We have the expertise. We have everything that we need to generate this kind of deliverable while educating our students along the way — helping them to understand theory and process while also gaining practical experience. This is just one small part of the transformative learning experience that the CRHR provides to the graduate and undergraduate students who work with us.”

The Austin museum is planning for a final La Belle exhibit to open in 2018, where the cannon will be displayed alongside the now-reconstructed hull of the ship.

“Dr. Selden has been a welcome partner with the THC in the past, and this time was no different,” Jones said. “He and the two CRHR interns assisting him not only conducted the work in a professional manner, but also openly shared an enthusiasm for the history and significance of the work that made it feel like a true collaboration.”

For more information regarding ongoing work with La Belle, visit the Bullock Museums’ website at www.thestoryoftexas.com/la-belle/the-exhibit.

The Swingin’ Axes and Swingin’ Aces at Stephen F. Austin State University will perform a concert featuring works by Sammy Nestico, Gordon Goodwin, Pat Metheny and other jazz and big band greats at 7:30 p.m. Friday, March 3, in Cole Concert Hall in the Wright Music Building on the SFA campus.

The Aces, directed by Dr. J.D. Salas, associate professor of tuba and euphonium studies in the SFA School of Music, will perform arrangements of “Splanky” and “Day In, Day Out” by Nestico, long time composer/arranger for the Count Basie Orchestra. Nestico recently celebrated his 93rd birthday.

The Aces will also perform “Groove Merchant” by Thad Jones and a unique arrangement of “All The Things You Are,” as performed by the Stan Kenton Orchestra.

The Axes, directed by Dr. Deb Scott, professor of trombone at SFA, will perform a varied program of old and new classics, including Goodwin’s “The Phat Pack” and Metheny’s “(It’s Just) Talk,” arranged by Bob Curnow.

The Axes will also perform “15 Step” by Radiohead, arranged by Matt Harris; “Li’l Darlin'” by Neal Hefti as recorded by the Count Basie Orchestra; “(Meet) The Flinstones” by William Hanna, Joseph Barbera and Hoyt Curtin, arranged by Dave Barduhn; and “Crusin’ For a Bluesin'” by Andy Weiner, arranged by Peter Blair as recorded by Maynard Ferguson.

The concert is a joint presentation of the SFA College of Fine Arts and School of Music.

Tickets are $8 for adults, $6 for seniors and $3 for students and youth. For tickets or more information, call the SFA Fine Arts Box Office at (936) 468-6407 or (888) 240-ARTS or visit www.finearts.sfasu.edu.

The Stephen F. Austin State University School of Art and the Friends of the Visual Arts will present a free, one-night screening of “Without Bound: Perspectives on Mobile Living” at 7 p.m. Friday, March 3, in The Cole Art Center @ The Old Opera House in downtown Nacogdoches.

“Without Bound” is a documentary by SFA’s own Michael Tubbs, media specialist for the College of Fine Arts, and SFA alum Aaron Harlan, about those who choose to ditch their permanent homes and opt for a mobile lifestyle, living out of recreational vehicles or vans. The film focuses on the personal philosophies of the individuals who choose this form of nomadic lifestyle.

“I held the view, probably shared by most Americans, that home ownership was both a noble and worthy aspiration, providing stability, safety, comfort and even a sense of identity,” Tubbs said. “I wondered how anyone could feel secure, comfortable or fulfilled living out of a van or a camper. The more I learned, the more my attitude shifted from ‘why’ to ‘why not?'”

Tubbs is a multimedia artist who merges traditional art materials and techniques with digital processes. He holds a Bachelor of Fine Arts in ceramics and a Master of Fine Arts in digital media from SFA. Tubbs has taught graphic design and digital media courses in the School of Art and advanced advertising courses in the Department of Mass Communication at SFA. His areas of specialization include vector graphics, videography and motion graphics. Prior to joining the College of Fine Arts dean’s staff, he was gallery preparator for the SFA Galleries.

Harlan is a 3D artist, researcher, human factors engineer and creative director at FoVI3D, a light-field display company in Austin. As creative director, he is responsible for the majority of content creation at FoVI3D, including branding, web design, video, print, 3D content generation for holographic imaging and dynamic light-field projection. He holds a Bachelor of Business Administration and Master of Fine Arts in design from SFA.

This screening is part of the School of Art’s monthly Friday Film Series and is sponsored in part by William Arscott, Nacogdoches Film Festival, Karon Gillespie, Mike Mollot, David Kulhavy, Brad Maule, John and Kristen Heath, Galleria Z, Jill Carrington, Jean Stephens, Jim and Mary Neal, Richard Orton, Main Street Nacogdoches and Nacogdoches Junior Forum.

The Cole Art Center is located at 329 E. Main St. For more information, call (936) 468-1131.