March 24, 2021: Nacogdoches County Booking Report

This is the report from the Nacogdoches County Jail that lists the arrests made from 6 a.m. of the previous day to 6 a.m. of the listed day.

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SFA music students to perform operatic works by Mozart, Strauss

SFA music students to perform operatic works by Mozart, Strauss

SFA music students to perform operatic works by Mozart, Strauss

The SFA Opera Theater opens Thursday, March 25, for a three-night run in Cole Concert Hall on the campus of Stephen F. Austin State University. This year’s performance features portions of two operas: Act I of Wolfgang Amadeus Mozart’s “Così fan tutte,” or “School for Lovers,” followed by Act II finale of “Die Fledermaus” by Johann Strauss. Rehearsing a scene are music students, from left, Rudy Barrera, Spring junior; Abby Ayala, Cypress junior; Mindalena Adams, Ladonia graduate student; Hannah Hays, Lubbock junior; and Aaron Fish, Stinnett sophomore. Performances are at 7:30 p.m. Tickets are $15 for adults, $10 for seniors and $7.50 for students and youth. For tickets or more information, visit finearts.sfasu.edu or call the SFA Fine Arts Box Office at (936) 468-6407. Seating is limited, and face coverings are required. Free access to online, livestreamed performances will be available each night at music.sfasu.edu.

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SFA to present ‘The Evolution of Chamber Winds’ concert

Stephen F. Austin State University music students will perform works from the 18th through the 21st centuries when the SFA Wind Ensemble and Friends present “The Evolution of Chamber Winds” in a virtual performance at 7:30 p.m. Thursday, April 1.

The concert features chamber music by Wolfgang Amadeus Mozart, Charles Gounod, Walter Hartley, Jean-Denis Michat and Andy Akiho, according to Dr. David Campo, director of bands at SFA.

Opening the program under the direction of graduate student conductor Abbigail Ramsey of Prosper, the students will perform the 1st movement of Mozart’s Serenade No. 10, “The Gran Partita.”

“As a genre, serenades were ‘dinner music’ to be performed at parties and other social events,” Campo said. “Also known as divertimenti, nocturnes, or cassations, these works had their origin in the aristocratic practice of hiring a band to ‘woo’ potential lovers and damsels. By 1780, these types of works were beginning to appear in serious concerts, but because of their very nature, many serenades from the Classical period have been lost forever, swallowed by time. Mozart’s serenades, however, have survived … a testament to their construction and quality.

“It is important to also note that Mozart did not, in fact, nickname his Serenade,” Campo added. “The moniker ‘Gran Partita’ was added by an unknown hand after his death. It is not clear if this title is one that Mozart endorsed or was even aware of.”

Petite symphonie pour neuf instruments à vent, or the “Little Symphony for Winds,” was composed in 1885 by French composer Gounod. Campo describes this complete miniature symphony as “elegant, delicate and sweet.” The first movement uses a slow introduction, like that of Joseph Haydn, and an allegretto in sonata form. The second movement features an added flute. The scherzo that follows is based on a hunting theme, with a lively finale in the fourth movement to end the symphony.

Graduate student conductor Jacob Bridges of Lake Charles, Louisiana, will lead the ensemble in Hartley’s Concerto for 23 Winds. Hartley composed this work for the Eastman Wind Ensemble in 1957, and it was premiered by that group during the Eastman School’s annual Festival of American Music in 1958.

Hartley described the four-movement work as “roughly corresponding to those of the classical symphony or sonata in form, but it is textually more related to the style of the Baroque concerto, being essentially a large chamber work in which different soloists and groups of soloists play in contrast with each other and with the group as a whole.”

A percussion group from the Wind Ensemble lends its voice to the unique chamber music offering with composer Akiho’s “to wALk Or ruN in wEst harlem,” a percussion piece that features a modified Pierrot ensemble – flute, clarinet, violin, cello and piano – and prepared vibraphone. Although not much is said about the story of the piece, with the help of Michael McQuilken, Akiho published a short film to YouTube titled “To Walk Or Run.” The film uses the piece as a dramatic background track with actors portraying themes of sex trafficking. The piece assists this concept by using percussion instruments to mimic the sounds of a car door slamming and tires screeching as well as the sound of police sirens later in the work.

Dr. Nathan Nabb, professor of saxophone at SFA, and guitarist Brandon Coleman will be the featured guest performers on the final piece of the concert, Michat’s rollicking “Pasta Concerto” for saxophone ensemble, guitar and soprano saxophone soloist.

“The work is a sometimes tongue-in-cheek but always technically demanding tour-de-force that utilizes all of the vibrant colors of the entire saxophone family,” Campo said. Regarding the unusual name of the composition, Michat said, “In tribute to the Italian concertos, I called it ‘Pasta Concerto, ‘since the Baroque concertos are fascinating because everyone can play them; they are pleasant for the musicians and for the general public.” The four movements of the concerto are Spaghetti, Farfalle, Cellentani and Tagliatelle.

To access the live virtual concert free of charge, visit music.sfasu.edu the night of the performance. For additional information, contact the School of Music at (936) 468-4602.

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Holocaust survivor to speak at SFA’s Holocaust Remembrance Day event

In partnership with Stephen F. Austin State University’s Office of Multicultural Affairs, SFA Hillel, a student group that builds connections with emerging adults and inspires them to direct their own Jewish journey, will host the university’s first official Holocaust Remembrance Day event, or Yom Hashoah in Hebrew, on April 8 as part of the OMA’s Diversity Week event slate.

Hungarian Holocaust survivor Dr. Zsuzsanna Ozsváth will be the event’s keynote speaker. She will share her Holocaust experience and engage in a Q&A with attendees.

Dr. Michara DeLaney-Fields, SFA’s chief diversity officer, and Rabbi Kenny Weiss, executive director of Houston Hillel, also will be introductory speakers at the event.

“The purpose of Yom Hashoah is to keep the memory of the horrific events of the Holocaust alive, and this year participants will be able to do that by listening to Holocaust survivor Dr. Zsuzsanna Ozsváth,” said Jade Gordon, co-president of SFA Hillel, formerly known as the Jewish Student Union.

“It is important to recognize this day because it is how the Jewish people keep the memory of the Holocaust alive by hearing the stories and passing them on, especially in a time like today that has become difficult for Jews all over again because of the rise in anti-Semitism.”

Ozsváth founded the Holocaust Studies Program at The University of Texas at Dallas and is professor emeritus of literature and history and the former Leah and Paul Lewis Chair of Holocaust Studies. She joined the UT Dallas faculty in 1983, initially teaching 19th- and 20th-century literature and history classes.

“We are fortunate to have Dr. Zsuzsanna Ozsváth, affectionately known as Zsuzsi, share her personal memories of the Hungarian Holocaust with our students and community,” said Dr. Flóra Faragó, SFA Hillel advisor and associate professor in SFA’s School of Human Sciences. “Zsuzsi’s story reflects what happened to my family and to hundreds of thousands of Jewish families in Hungary and larger Europe. Learning about the Holocaust will remind us how far we have come and yet how far we have to go to achieve justice, dignity and equality for all.”

While known for her Holocaust classes, Ozsváth has published a number of articles dealing with aesthetic and ethical issues in French, German and Hungarian literature as well as with the relationship between art and totalitarian ideology. As a scholar, critic, and translator, Ozsváth has extensively written about Holocaust literature and the Holocaust in Hungary. Her memoir, “When the Danube Ran Red,” tells the chilling and extraordinary story of her childhood in Hun­gary, living under the threat of the Holocaust.

“Event participants will be encouraged to reflect on how current and historical anti-Semitism shapes the lives of Jews and non-Jews alike and learn about incredible stories of survival, loss and resistance,” Gordon said. “The hope is that this event will inspire participants to take action against anti-Semitism and other -isms that continue to impact the lives of millions in the U.S. and around the world.”

SFA Hillel’s Holocaust Remembrance Day will be held in person and via Zoom beginning at 6 p.m. April 8. The in-person event will take place in the Baker Pattillo Student Center Grand Ballroom on the SFA campus. Following the keynote speaker, in-person attendees will be able to participate in an activity to honor the 1.5 million children killed during the Holocaust.

As a supplement to the event, Gordon also will host a Lumberjacks Live Q&A on SFA’s Instagram account, @sfasu, at 6 p.m. April 1. She will speak with Shirley Watterston, retired SFA lecturer of music and vocal coach accompanist, about her own history living as a Jewish individual in East Texas and personal remembrances of the Holocaust.

SFA’s Holocaust Remembrance Day was made possible through assistance from Hillel Houston and Hillel at Home.

There is no fee to attend either in person or online; however, registration will be required for Zoom attendees. To register for the Zoom event, visit form.jotform.com/210754475322150. The deadline to register is 6 p.m. April 7.

In-person attendees will be required to abide by SFA’s mask requirement and maintain a safe physical distance.

For more information about OMA’s slate of Diversity Week events, visit sfasu.edu/oma. For SFA Hillel information and updates, follow the organization on Instagram @sfa_jsu.

By Christine Broussard, marketing communications coordinator at Stephen F. Austin State University.

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SFA Opera Theater to open Thursday night

Opera 1The 2021 SFA Opera Theater will open Thursday, March 25, for a three-night run in Cole Concert Hall on the campus of Stephen F. Austin State University. This year’s performance features portions of two operas: Act I of Wolfgang Amadeus Mozart’s “Così fan tutte,” or “School for Lovers,” followed by Act II finale of “Die Fledermaus” by Johann Strauss. Music students Anthony Perez, Houston junior, and Gracie Palmore, Royse City junior, rehearse a scene. Performances are at 7:30 p.m., and face coverings are required. Tickets are $15 for adults, $10 for seniors and $7.50 for students and youth. For tickets or more information, visit finearts.sfasu.edu or call the SFA Fine Arts Box Office at (936) 468-6407. Seating is limited. Free access to online, livestreamed performances will be available each night at music.sfasu.edu.

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March 23, 2021: NPD Crime Report

This is a complete list of reports responded to by the Nacogdoches Police Department

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March 23, 2021: Nacogdoches Sheriff’s Crime Log

This is the report from the Nacogdoches County Jail that lists the arrests made from 6 a.m. of the previous day to 6 a.m. of the listed day.

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March 23, 2021: Nacogdoches County Booking Report

This is the report from the Nacogdoches County Jail that lists the arrests made from 6 a.m. of the previous day to 6 a.m. of the listed day.

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SFA education faculty members selected as editors of national journal

The Association of Teacher Educators Board of Directors has selected three faculty members in Stephen F. Austin State University’s James I. Perkins College of Education as editors of its journal, Action in Teacher Education.

Drs. Heather Olson Beal and Amanda Rudolph, professors of education studies, and Dr. Chrissy Cross, associate professor of education studies, are serving as part of a team for a three-year editing term beginning in July.

The team was selected for its strong application, according to Alisa Chapman, ATE executive director.

“The board has confidence your team will be able to move the journal forward and represent ATE extremely well,” Chapman said.

The journal receives more than 250 submissions per year with a 9% acceptance rate.

Rudolph said the team’s approach will focus on current issues for teacher education while making connections with young scholars and regional units of ATE.

“For me, this is really a high point of my career, and I am so excited,” Rudolph said. “I think this is a wonderful opportunity for me and the team, as well as SFA.”

Cross said the editing term will help highlight SFA’s work in education.

“For us as researchers, this editorship will help all of us not only showcase our expertise in qualitative and quantitative research and pedagogy but also elevate the scholarship reputation of SFA in the field of research and curriculum and instruction in teacher education,” she said.

Olson Beal agreed.

“We are excited to be able to play a part in guiding research in the field of teacher education for the next three years and raise the profile of SFA on the national level.”

Dr. Judy Abbott, dean of the Perkins College of Education, said Rudolph, Cross and Olson Beal are the right educators for this work.

“These three faculty members have a strong reputation for education research and have been very successful in publishing their individual and collaborative scholarly work,” Abbott said. “They also have a reputation for mentoring less experienced colleagues as those faculty members seek to establish their scholarly niche and pursue outlets for publications. I believe they will excel in coordinating this important national teacher education journal during the next three years.”

To learn more about Action in Teacher Education, visit tandfonline.com.

By Jo Gilmore, marketing communications specialist at Stephen F. Austin State University.

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March 22, 2021: NPD Crime Report

This is a complete list of reports responded to by the Nacogdoches Police Department

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